When you do freelance work like I do, you take your gigs where you can get them. You might find yourself one week writing web copy for a drone company, another exploring the ins and outs of electricity for a science centre exhibit panel. Some of the work is fun and interesting. Other times it’s educational or even eye-opening. Many gigs are routine and a few are downright boring.
Only rarely…very rarely…is the work meaningful in the largest sense of the word.
On that note, welcome to Illusuak.
Illusuak is an Inuktitut word for “sod house,” the traditional summer home of Labrador Inuit. In this case however, Illusuak is a Labrador Inuit cultural centre, currently under construction in Nain, Nunatsiavut. The centre will include a cafe’, theatre, gift shop, and Torngat Mountains National Park visitor services. But most importantly, it will feature a cultural exhibit hall.
And that’s where I come in. I am honored and extraordinarily humbled to be part of the Blue Rhino Design team, selected to develop the Illusuak cultural exhibit.
Last week, I, along with the rest of the Blue Rhino Design team, traveled to Nain to kick off the project and get a taste of the local culture. And somewhere between our plane taking off from Toronto Sunday and .. I don’t know .. Wednesday morning .. everything changed.
It went from being an exciting new gig to something powerful and meaningful.
It wasn’t the stunning scenery that did it — though the endless miles of rock and water and ice, all untrammeled by urban expansion, roadways, and exploitation was awe-inspiring.
It wasn’t “going off” on the boat, where our hosts shuttled us for hours among stone islands, icebergs, and glacial waterfalls and then right out to the rolling Labrador sea.
It wasn’t even the part where we drank the glacier water or planted our feet on an iceberg.
Nor was it the “boil up” — a simple pot of tea brewed from iceberg water over a small fire, accompanied by crackers and the most delicate and succulent wood-smoked arctic char.
It wasn’t the chance of seeing the subarctic wildlife — moose, caribou, seals, minke whales, beluga, orcas, black bears, polar bears, and northern waterfowl.
Nor was it my find of a beautifully bleached and preserved seal skull on a rugged beach and the generosity of our Inuit friends to allow me to take it home.
No. It was none of those things.
What changed me — changed us — was the depth of passion among the people of Nain and the surrounding communities for Illusuak. It was our realization that this was more than just a museum or visitor centre, but that it would be core to these people’s legacy– finally a true and unsanitized representation of their lives and culture — past, present and future.
It was when a representative of Nain choked on his words while making his introductory speech to us inside the unfinished building.
It was when one of the advisory committee broke down while describing his mother’s home that had stood on the spot where we were now meeting.
It was a young woman getting emotional when she said in hushed tones, “I just love my culture so much.”
It was an older man, quietly telling us the story of his recovery from “many bad things” that had happened to him and how today he is filled with nothing but love.
It was learning that in one dark year, seven of Nain’s young people committed suicide and five elders died.
Inuit have been on the receiving end of colonial oppression and racism for generations. They have struggled to maintain their culture in the face of white privilege and demands. They have lost generations of cultural knowledge to residential schools, forced relocation, and assimilation. Their history has been ignored, glossed over, or cleansed in the accounts contained in most museums, text books, and government publications.
So Illusuak is for them. When I asked how much of the exhibit area should be devoted to answering fundamental questions a visitor might have — What language do you speak? Do you prefer the term aboriginal or native? How do you hunt seal? — the answer was “none.” Illusuak is not about educating outsiders. It is about Inuit telling their own stories, confronting their past and educating their young.
In telling the Labrador Inuit story, we will use their voices and language to address truths, some of which have seldom been spoken. Many stories will be hard to deliver and even harder to receive. There will be spaces allowed for reflection and healing. There will be the images of ancestors, the wisdom of elders and the voices of youth. And finally, there will be messages of hope for the young people and sense of pride in what it means to be Inuit.
So, while it will take the hands of many outsiders to build the exhibition, it will take Inuit hearts and voices to breathe it to life. Only then will Illusuak truly be “by Labrador Inuit for Labrador Inuit.”
More on Illusuak:
- Illusuak on Facebook
- Illusuak: working together to get it right – Nunatsiavut Newsletter – Spring 2015 (pdf)
- Nain cultural centre to celebrate ‘rich history’ of Labrador Inuit (CBC)
- A New Landmark in Nunatsiavut: Building Design (under its former name, Torngâsok Cultural Centre)
- Todd Saunders Architecture (under its former name, Torngâsok Cultural Centre)
[Edited 7/14/2016 ]